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Jack in the pulpit featuring the photographs by Marco D' Amico, the multimedia installation by Quiet Ensemble and the jewels by Giuliana Mancinelli Bonafaccia

Jack in the pulpit featuring the photographs by Marco D’ Amico, the multimedia installation by Quiet Ensemble and the jewels by Giuliana Mancinelli Bonafaccia

Jack in the pulpit, exhibition event included in the calendar of Altaroma, which was held at the Rome Museo dei Fiorentini featured a display of the new collection made by the brilliant jewel designer Giuliana Mancinelli Bonafaccia, catchy architectures, inspired by Georgia O’ Keefe and Edward Weston, evidencing the successful development of her creativity. Here  it was also exhibited the photographs by Marco D’ Amico, documenting the collection by Giuliana along with the multimedia installation by the Quiet Ensemble, bright ensemble of geometries under the sign of art and design.

ALTAROMA: JACK IN THE PULPIT, IL VIAGGIO TRA ARTE & DESIGN CON GIULIANA MANCINELLI BONAFACCIA

Jack in the pulpit featuring the photographs by Marco D' Amico, the multimedia installation by Quiet Ensemble and the jewels by Giuliana Mancinelli Bonafaccia

Jack in the pulpit featuring the photographs by Marco D’ Amico, the multimedia installation by Quiet Ensemble and the jewels by Giuliana Mancinelli Bonafaccia

Jack in the pulpit, evento espositivo incluso nel calendario di Altaroma, che si è tenuto presso il Museo dei Fiorentini di Roma e di cui è stata protagonista l’ esposizione della nuova collezione realizzata dalla brillante designer di gioielli Giuliana Mancinelli Bonafaccia, accattivanti architetture che si ispirano a Georgia O’ Keefe ed Edward Weston, dimostrando la felice consolidazione della sua creatività. Ivi sono state esposte anche le fotografie di Marco D’ Amico che documentano la collezione di Giuliana unitamente all’ installazione multimediale del Quiet Ensemble, felice unione di geometrie all’ insegna di arte e design.

Photographs by Marco D' Amico, jewels by Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Photographs by Marco D’ Amico, jewels by Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

Giuliana Mancinelli Bonafaccia, photo by Giorgio Miserendino

www.giulianamancinelli.com

www.altaroma.it

A.I. at the Rome Biblioteca Angelica, photo by Giorgio Miserendino

A.I. at the Rome Biblioteca Angelica, photo by Giorgio Miserendino

The latest edition of A.I. (format of Altaroma, created by Clara Tosi Pamphili standing as Artisanal Intelligence and makes concrete an exhibition event under the sign of art, craftsmanship and fashion) was held at the suggestive rooms of Rome Biblioteca Angelica where it was showcased the Fall/Winter 2013-2014 by the brilliant Ludovica Amati (of whose collection has recently featured in a fashion film directed by Silvia Morani), the genius Australian milliner Naomi Goodsir, Paola Balzano, Simone Valsecchi, Soul Skin, Dom and Alessandro di Cola. The display also included the photographs made by the bright, nice photographer Mustafa Sabbagh and Edoardo Cicconi. The result has been an unusual, opened dialogue between different channels of communication to celebrate the doing, craftsmanship, emerging talents and creativity.

ALTAROMA: A.I., ARTE, ARTIGIANALITÀ & MODA PRESSO LA BIBLIOTECA ANGELICA DI ROMA

A.I, at the Rome Biblioteca Angelica, clothes by Paola Balzano, photo by Giorgio Miserendino

A.I, at the Rome Biblioteca Angelica, clothes by Paola Balzano, photo by Giorgio Miserendino

L’ ultima edizione di A.I.(format di Altaroma, creato da Clara Tosi Pamphili che equivale ad Artisanal Intelligence e concretizza un evento espositivo all’ insegna di arte, artigianalità e moda) si è tenuta presso le suggestive stanze della Biblioteca Angelica di Roma in cui è stata esposta la collezione autunno/inverno 2013-2014 della brillante Ludovica Amati (la cui collezione è stata recentemente protagonista di un fashion film diretto da Silvia Morani), la geniale designer di cappelli australiana Naomi Goodsir, Paola Balzano, Simone Valsecchi, Soul Skin, Dom ed Alessandro di Cola. L’ esposizione ha incluso anche le fotografie realizzate dal brillante, simpatico fotografo Mustafa Sabbagh e da Edoardo Cicconi. Il risultato è stato un insolito dialogo aperto tra differenti canali di comunicazione che ha celebrato il fare, l’ artigianato, i talenti emergenti e la creatività.

Ludovica Amati, photo by Giorgio Miserendino

Ludovica Amati, photo by Giorgio Miserendino

Ludovica Amati, photo by Giorgio Miserendino

Ludovica Amati, photo by Giorgio Miserendino

Ludovica Amati, photo by Giorgio Miserendino

Ludovica Amati, photo by Giorgio Miserendino

Ludovica Amati, photo by Giorgio Miserendino

Ludovica Amati, photo by Giorgio Miserendino

Ludovica Amati along with the creations she made, photo by Giorgio Miserendino

Ludovica Amati along with the creations she made, photo by Giorgio Miserendino

Mustafa Sabbagh, photo courtesy of A.I.

Mustafa Sabbagh, photo courtesy of A.I.

Mustafa Sabbagh, photo courtesy of A.I.

Mustafa Sabbagh, photo courtesy of A.I.

Mustafa Sabbagh, photo courtesy of A. I.

Mustafa Sabbagh, photo courtesy of A. I.

Mustafa Sabbagh, photo courtesy of A.I.

Mustafa Sabbagh, photo courtesy of A.I.

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Naomi Goodsir, photo by Giorgio Miserendino

Simone Valsecchi, photo by Giorgio Miserendino

Simone Valsecchi, photo by Giorgio Miserendino

Bags by Alessandro di Cola, photo by Giorgio Miserendino

Bags by Alessandro di Cola, photo by Giorgio Miserendino

Bags by Dom, photo by Giorgio Miserendino

Bags by Dom, photo by Giorgio Miserendino

Leather jackets by Soul Skin, photo by Giorgio Miserendino

Leather jackets by Soul Skin, photographs by Edoardo Cicconi,  photo by Giorgio Miserendino

www.altaroma.it

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

It has recently opened the Rome flagship store – placed in Via Borgognona 42 - of the brilliant fashion designer Fausto Puglisi (who is the current creative director of Ungaro fashion house), a collateral event of Altaroma latest edition,. Here it showcased the new creations he made, clothing and accessories featuring baroque suggestions overlapping to contemporary times, signs impressed on the lines and volumes, patterns as madras textiles and decorations enriching dresses and bags, reminding me a free interpretation of the seal of Baphomet, the goat God, renowned satanic iconography, where the depicted animal is instead another horned animal, the Aries which evokes my zodiacal sign ( though some people consider the ones who are born on 23rd March like me as a Pisces/Aries cusp).

L’ INAUGURAZIONE DELLA BOUTIQUE DI ROMA DI FAUSTO PUGLISI

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

È stata recentemente inaugurata la boutique di Roma – ubicata in Via Borgognona 42 - del brillante fashion designer Fausto Puglisi (che è l’ attuale direttore creativo della casa di moda Ungaro), un evento collaterale dell’ ultima edizione di Altaroma. Ivi erano esposte le nuove creazioni da lui realizzate, abbigliamento e accessori di cui sono protagoniste suggestioni barocche che si sovrappongono alla contemporaneità, segni impressi nelle linee e i volume, motive quali tessuti madras e decorazioni che arricchiscono abiti e borse, le quali mi ricordano una libera interpretazione del sigillo di Baphomet, il dio Capro, rinomata iconografia satanica, in cui l’ animale rappresentato è invece un altro animale dotato di corna, l’ Ariete che evoca il mio segno zodiacale (benché alcuni considerino coloro che sono nati come me il 23marzo una cuspide Pesci/Ariete). 

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

Fausto Puglisi, photo by Giorgio Miserendino

The seal of Baphomet

The seal of Baphomet

 

www.faustopuglisi.com

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

R/Evolution is an event included in the Altaroma’s calendar which featured the renowned Rome Costume & Fashion Academy (headed by Lupo Lanzara) and showcased the creativity which is here training and trained, the works by the ex alumni as Maurizio Galante and many others. A smashing event which represents the evolution of the fashion school arising from changes as its logo turned into Accademia Costume e Moda, result of a successful teaming with Independent ideas, the communication company by Lapo Elkann along a wide series of initiatives and events that will be made during the forthcoming times. A bright evidence of work under the sign of tradition and contemporary times made by this institution.

ALTAROMA: R/EVOLUTION, CREATIVITÀ IN MOSTRA ALL’ ACCADEMIA DI COSTUME & MODA DI ROMA

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

R/Evolution è un evento incluso nel calendario di Altaroma che ha avuto quale protagonista la rinomata Accademia di Costume & Moda di Roma (headed by Lupo Lanzara) ed ha esposto la creatività che si sta formando e si è ivi formata, i lavori degli ex alunni quali Maurizio Galante e molti altri. Un formidabile evento che rappresenta l’ evoluzione della scuola di moda che nasce da cambiamenti quali il suo logo trasformato in Accademia Costume e Moda, risultato di una felice collaborazione con Independent ideas, azienda di comunicazione di company Lapo Elkann unitamente a un ampia serie di iniziative ed eventi che saranno realizzate nei tempi a venire. Una brillante dimostrazione dell’ opera all’ insegna di tradizione e contemporaneità effettuata da questa istituzione.

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

Rome Costume & Fashion Academy, photo by Giorgio Miserendino

Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

A costume depicted on photo by Giorgio Miserendino,  from the  Rome Costume & Fashion Academy, reminding me...

A costume depicted on photo by Giorgio Miserendino, from the Rome Costume & Fashion Academy, reminding me…

George JB, Georgian beauty and promising creative, photo by N

…George JB, Georgian beauty and promising creative, photo by N

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

A Stella Jeanesque costume at the Rome Costume & Fashion Academy, photo by Giorgio Miserendino

A Stella Jeanesque costume at the Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

 The Rome Costume & Fashion Academy, photo by Giorgio Miserendino


The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

 The Rome Costume & Fashion Academy, photo by Giorgio Miserendino


The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

 The Rome Costume & Fashion Academy, photo by Giorgio Miserendino


The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

 The Rome Costume & Fashion Academy, photo by Giorgio Miserendino


The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

 The Rome Costume & Fashion Academy, photo by Giorgio Miserendino


The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

 The Rome Costume & Fashion Academy, photo by Giorgio Miserendino


The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

 The Rome Costume & Fashion Academy, photo by Giorgio Miserendino


The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

 The Rome Costume & Fashion Academy, photo by Giorgio Miserendino


The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

 The Rome Costume & Fashion Academy, photo by Giorgio Miserendino


The Rome Costume & Fashion Academy, photo by Giorgio Miserendino

www.accademiacostumeemoda.it

www.altaroma.it  

The Nautilina bag by Ligneah, photo by Giorgio Miserendino

The Nautilina bag by Ligneah, photo by Giorgio Miserendino

Ligneah, brand of accessories created by the brilliant Marta Antonelli, featured in an event included in the Altaroma’s calendar which took place at the Rome Contemporary Art Gallery De Crescenzo & Viesti. Here it was showcased the collection of accessories for men – of whose leitmotiv and genius idea is the transformation of wood, a rigid material into a textile, a flexible material, made by using the birch, walnut and ash wood – along with a bag, Nautilina, made in collaboration with the artisan Claudia Chianese, arisen from the idea of creating something which can be much more than a bag, a genuine jewel. In fact that has successfully made concrete, being the bag made of the wood textile, enriched by a removable copper decoration as well as its chain which turns into an enchanting copper necklace.

ALTAROMA: I MORBIDI ACCESSORI DI LEGNO DI LIGNEAH ALLA GALLERIA D’ ARTE CONTEMPORANEA DE CRESCENZO & VIESTI DI ROMA 

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, brand di accessori creato dalla brillante Marta Antonelli, è stato protagonista di un evento incluso nel calendario di Altaroma che si è tenuto presso la Galleria d’ Arte Contemporanea De Crescenzo & Viesti di Roma. Ivi è stata esposta la collezione di accessori da uomo – il cui leitmotiv e e geniale idea è la trasformazione del legno, un materiale rigido, in tessuto, un materiale flessibile, realizzato avvalendosi del legno di betulla, noce e frassino – unitamente a una pochette, la Nautilina, realizzata in collaborazione con l’ artigiana Claudia Chianese, nata dall’ idea di creare qualcosa che possa essere più di una borsa,  un autentico gioiello. Infatti ciò è stato felicemente concretizzato, essendo la borsa, realizzata con il tessuto di legno, arricchita di una decorazione di bronzo rimovibile come anche la sua catena che si trasforma in una incantevole collana di bronzo.

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

Ligneah, photo by Giorgio Miserendino

The nautilina bag, photo by Giorgio Miserendino

The nautilina bag, photo by Giorgio Miserendino

www.altaroma.it

www.ligneah.com

Fabio Quaranta Fall/Winter 2013-2014

Fabio Quaranta Fall/Winter 2013-2014

The economy of lines features in the first womenswear Fall/Winter 2013-2014 collection of Fabio Quaranta, presented with a suggestive tableau-vivant at the new suite placed at the roof of luxury Rome Hotel Flora Baglioni during the Altaroma latest edition. Simplicity, minimal constructions where it shines a refined research, precious textiles, natural colors along with light nuances of grey and blue, are the alchemies embodied in the creations by Fabio, coats and jackets, genuine passe-partout.

 

L’ ESSENZIALITÀ DEI SEGNI DI FABIO QUARANTA

Fabio Quaranta Fall/Winter 2013-2014

Fabio Quaranta Fall/Winter 2013-2014

L’essenzialità dei segni è protagonista della prima collezione donna autunno/inverno 2013-2014 di Fabio Quaranta, presentata da un suggestivo tableau-vivant presso la terrazza del lussuoso Hotel Flora Baglioni di Roma durante l’ ultima edizione di Altaroma. Semplicità, costruzioni minimali in cui splende una raffinata ricerca, preziosi tessuti, colori naturali unitamente a tenui nuance di grigio e blu, sono le alchimie racchiuse nelle creazioni di Fabio, cappotti e giacche, autentici passé-partout.

Fabio Quaranta Fall/Winter 2013-2014

Fabio Quaranta Fall/Winter 2013-2014

The roof of Flora Baglioni Hotel

The roof of Flora Baglioni Hotel

Rome seen from the roof of Flora Baglioni Hotel

Rome seen from the roof of Flora Baglioni Hotel

Fabio Quaranta Fall/Winter 2013-2014

Fabio Quaranta Fall/Winter 2013-2014

Fabio Quaranta and Beppe Modenese

Fabio Quaranta and Beppe Modenese

www.altaroma.it

www.fabioquaranta.it

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari, womenswear brand (of whose names arises from a word coming from Calabria slang which means “to change”) under the sign of craftsmanship and sustainability established by the Goel Group (of cooperatives working in the province of Reggio Calabria, my native city), presented during the latest edition of Altaroma the Spring/Summer 2014 collection, designed by Paulo Melim Andersson, featuring a catchy simplicity, natural colors along with bright shades of red and blue, fluid lines under  the sign of a sustainable elegance, being the purpose, creative process (considering the textiles, that are hand-made in Italy by using the ancient Calabria technique of weaving by loom and organic colors) and a successful result of brand.

ALTAROMA: L’ ELEGANZA SOSTENIBILE DI CANGIARI

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari, brand di abbigliamento da donna ( il cui nome nasce da un lemma del dialetto calabrese che significa “cambiare”) all’ insegna dell’ artigianalita e sostenibilità fondato dal Gruppo Goel (di cooperative che operano nella provincia di Reggio Calabria, la mia città natale), ha presentato in occasione dell’ ultima edizione di Altaroma la collezione primavera/estate 2014, disegnata da Paulo Melim Andersson, di cui è protagonista una accattivante semplicità, colori naturali unitamente ad accese nuances di rosso e blu, linee fluide all’ insegna di una eleganza sostenibile che rappresenta la finalità, il processo creativo (considerando i tessuti realizzati a mano in Italia mediante l’uso dell’ antica tecnica calabrese e i colori biologici) e un felice risultato del brand.

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014,  photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

Cangiari Spring/Summer 2014, photo by Giorgio Miserendino

The backstage of  Cangiari, photo by N

The backstage of Cangiari, photo by N

Paulo Melim Andersson, photo by N

Paulo Melim Andersson, photo by N

www.altaroma.it

www.cangiari.it

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

The empowered femininity has shined and celebrated by the genius Jean Paul Gaultier in the Fall/Winter 2013-2014 haute couture collection he made, presented in Rome during the latest edition of Altaroma, which featured the patterns and sophisticated constructions being a leitmotiv of his work: corsets, stripes, transparencies, fringes evoking art deco suggestions, lace, sequins and fur (who was proud of using, as he asserted during the press conference I attended at the Hotel Flora Baglioni).

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

The man has appeared in this fashion show, a charming contemporary glampire has “turned into an object”, as the couturier said, emphasizing the force and theatricality of the woman he depicted. A enchanting event as well as a successful chance to meet and enjoy a legendary creative, who was extremely generous and modest during the press conference, also answering to the controversial questions of some Italian journalists (concerning the models and celebrities who would featured in the fashion show and other ones belonging to the same standard).

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Instead me, I has been religiously silent, preferring hearing him, who generously spoke Italian and celebrated Rome, its suggestions, the Italian culture which has very relevant in its training as creative and individual (later, at the end of press conference I talked with him about Italian film, who has been very inspiring for him, about Federico Fellini and Luchino Visconti) and hearing  the President of Altaroma Silvia Venturini Fendi who made concrete a laudable work developing contemporary fashion, its culture under the sign of art and internationality.

 

ALTAROMA: LE MERAVIGLIOSE SINUOSITÀ DI JEAN PAUL GAULTIER

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

L’ emancipata femminilità ha brillato ed è stata celebrata dal geniale Jean Paul Gaultier nella collezione alta moda autunno/inverno 2013-2014 da lui realizzata, presentata a Roma in occasione dell’ ultima edizione di Altaroma di cui sono stati protagonisti i motivi e le sofisticate costruzioni che sono un leitmotiv della sua opera: bustier, righe, trasparenze, frange che evocano suggestioni art decò, pizzo, paillettes, trasparenze e pelliccia ( che è stato fiero di usare, amando la pelliccia, come costui ha affermato durante la conferenza stampa a cui ho partecipato presso l’ Hotel Flora Baglioni).

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

L’ uomo è apparso in questa sfilata, un affascinante vampiro glam contemporaneo, trasformato in oggetto, come couturier ha detto, enfatizzando la forza e teatralità della donna da lui ritratta. Un incantevole evento che è stato anche una felice occasione per conoscere vis à vis e apprezzare un leggendario creativo che è stato estremamente generoso e modesto durante la conferenza stampa, rispondendo anche alle discutibili domande di alcune giornaliste italiane( inerenti le modelle e celebrities che avrebbero partecipato alla sfilata unitamente ad altre della medesima levatura).

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Invece religiosamente silente, ho preferito ascoltarlo, il quale ha generosamente parlato in italiano e celebrato Roma, le sue suggestioni, la cultura italiana che ha avuto un ruolo molto significativo nella sua formazione creativa e individuale (successivamente, alla fine della conferenza stampa ho parlato con lui del cinema italiano, che lo ha ispirato molto, di registi quali Federico Fellini e Luchino Visconti) e ascoltando il Presidente di Altaroma Silvia Venturini Fendi la quale ha concretizzato una felice opera che consolida la moda contemporanea, la sua cultura all’ insegna dell’ arte e l’ internazionalità.

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Jean Paul Gaultier, photo by Giorgio Miserendino

Franca Sozzani and Suzy Menkes, photo by Giorgio Miserendino

Franca Sozzani and Suzy Menkes, photo by Giorgio Miserendino

Cesare Cunaccia, photo by Giorgio Miserendino

Cesare Cunaccia, photo by Giorgio Miserendino

Andrea Provvidenza, photo by Giorgio Miserendino

Andrea Provvidenza, photo by Giorgio Miserendino

Angelos Bratis, photo by Giorgio Miserendino

Angelos Bratis, photo by Giorgio Miserendino

Beppe Modenese, Simone Cipriani, Simonetta Gianfelici, photo by Giorgio Miserendino

Beppe Modenese, Simone Cipriani, Simonetta Gianfelici, photo by Giorgio Miserendino

Fabio Quaranta, photo by Giorgio Miserendino

Fabio Quaranta, photo by Giorgio Miserendino

Lupo Lanzara, photo by Giorgio Miserendino

Lupo Lanzara, photo by Giorgio Miserendino

Olivier di Gianni, photo by Giorgio Miserendino

Olivier di Gianni, photo by Giorgio Miserendino

Lorcan O' Neill and Sergio Zambon, photo by Giorgio Miserendino

Lorcan O’ Neill and Sergio Zambon, photo by Giorgio Miserendino

Cesare Cunaccia and Silvia Venturini Fendi, photo by Giorgio Miserendino

Cesare Cunaccia and Silvia Venturini Fendi, photo by Giorgio Miserendino

Jean Paul Gaultier & me, photo by N

Jean Paul Gaultier & me, photo by N

www.altaroma.it

Christie Brown

Christie Brown

A smashing event organized by UN agency ITC and Altaroma, a fashion show which was held in Rome at the Complesso del Santo Spirito during Altaroma and featured four brands, Christie Brown, Ghana brand designed by Aisha Obuobi, Kiki Clothing by Titi Ademola (London native having African parents) who made a collection inspired by the Northern Africa, Portiener Roth, Switzerland brand created by Sabine Portenier and Evelyne Roth who used textiles coming from Burkina Faso and the brilliant and renowned Italian-Haitian fashion designer Stella Jean. A celebration of Africa as well as ethnic suggestions that gave rise to fun collections under the sign of color, craftsmanship, embodying a vibrant concept. A laudable initiative which hopefully follows, being a way to celebrate the Africa culture as well as emancipate people from poverty through work, fashion industry its continuous, local development in countries as Africa.

L’ INIZIATIVA ETHICAL DELL’ ITC & ALTAROMA CHE PORTA L’ AFRICA A ROMA

Christie Brown

Christie Brown

Un formidabile evento organizzato dall’ agenzia ONU ITC ed Altaroma, una sfilata che si è tenuta a Roma presso il Complesso del Santo Spirito in occasione di Altaroma ed ha avuto quali protagonisti quattro brand, Christie Brown, brand del Ghana disegnato da Aisha Obuobi, Kiki Clothing di Titi Ademola (natia di Londra da genitori africani) che ha realizzato una collezione che si ispira al Nord Africa, Portiener Roth, brand svizzero creato da Sabine Portenier ed Evelyne Roth che si sono avvalse di tessuti del Burkina Faso e la brillante e rinomata fashion designer italo-haitiana Stella Jean. Una celebrazione dell’ Africa come anche delle suggestioni etniche che hanno dato vita a divertenti collezioni all’ insegna del colore, l’ artigianalità che racchiudono un vibrante concept. Una lodevole iniziativa che sperabilmente prosegua, essendo un modo per celebrare la cultura dell’ Africa come anche emancipare gli individui dalla povertà attraverso il lavoro, l’ industria della moda, il suo continuo sviluppo locale in paesi come l’ Africa.

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Christie Brown

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Portenier Roth

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Kiki Clothing

Srella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

Stella Jean

A model wearing Stella Jean at the backstage of fashion show

A model wearing Stella Jean at the backstage of fashion show

Suzy  Menkes at the backstage of fashion show

Suzy Menkes at the backstage of fashion show

A model wearing Stella Jean at the backstage of fashion show

A model wearing Stella Jean at the backstage of fashion show

Silvia Venturini Fendi and Stella Jean

Silvia Venturini Fendi and Stella Jean

Simonetta Gianfelici

Simonetta Gianfelici

Stella Jean and  me

Stella Jean and me

 

www.altaroma.it

The Pre-loved on tour at the RE(f)USE boutique

The Pre-loved on tour at the RE(f)USE boutique

It featured in the latest edition of Altaroma, the Pre-loved on tour, a charity event to support Oxfam Italia, created by Marie Claire and Private Griffe which was held at the boutique RE(f)USE of Ilaria Venturini Fendi, pioneer fashion designer of ethical fashion brand Carmina Campus. Here it has showcased and sold vintage clothes and accessories made by the most renowned fashion companies as Fendi, Chanel, Marc Jacobs, Prada, Luisa Beccaria, Missoni, Moschino and many others that were donated by personas of fashion realm and socialites as Margherita Missoni, Isabella Borromeo and Silvia Venturini Fendi. The proceeds resulting from this sale will be given to Oxfam Italia to concretely support its laudable work. A smashing, successful initiative – considering the crowd of people which peopled the boutique during the opening of the event – that joined the culture of re-use, fashion and a laudable purpose.

SHOPPING, RIUSO & BENEFICIENZA AD ALTAROMA: IL PRE-LOVED ON TOUR A ROMA PRESSO LA BOUTIQUE RE(f)USE 

Ilaria Venturini Fendi who talks about her experience as ethical fashion designer with a journalist

Ilaria Venturini Fendi who talks about her experience as ethical fashion designer with a journalist

È stato protagonista dell’ ultima edizione di Altaroma, il Pre-loved on tour, un evento di beneficienza per sostenere Oxfam Italia, creato da Marie Claire e Private Griffe che si è tenuto presso la boutique RE(f)USE di Ilaria Venturini Fendi, pionieristica fashion designer del brand di moda ethical Carmina Campus. Ivi sono stati esposti e venduti abiti ed accessori vintage realizzati dalle più rinomate aziende di moda quali Fendi, Chanel, Marc Jacobs, Prada, Luisa Beccaria, Missoni, Moschino e molti altri che sono stati donati da personaggi dell’ ambito della moda e socialites quali Margherita Missoni, Isabella Borromeo e Silvia Venturini Fendi. Il ricavato derivante da questa vendita sarà devoluto a Oxfam Italia per sostenere concretamente la sua lodevole opera. Una formidabile, felice iniziativa – considerando la folla di gente che ha popolato la boutique durante l’ inaugurazione dell’ evento – che ha unito la cultura del riuso, la moda e una lodevole finalità.

The Pre-loved on tour at RE(f)USE

The Pre-loved on tour at RE(f)USE

Carmina Campus

Carmina Campus

Carmina Campus

Carmina Campus

The Pre-loved on tour at RE(f)USE

The Pre-loved on tour at RE(f)USE

Angelos Bratis at RE(F)USE

Angelos Bratis at RE(F)USE

Vintage Moschino

Vintage Moschino

Carmina Campus

Carmina Campus

The Pre-loved on tour at RE(f)USE

The Pre-loved on tour at RE(f)USE

Cesare Cunaccia

Cesare Cunaccia

Dress by Luisa Beccaria, donated by Isabella Borromeo

Dress by Luisa Beccaria, donated by Isabella Borromeo

Trench by Missoni, donated by Margherita Missoni

Trench by Missoni, donated by Margherita Missoni

Dress by Fendi, donated by Silvia Venturini Fendi

Dress by Fendi, donated by Silvia Venturini Fendi

Ilaria Venturini Fendi and me

Ilaria Venturini Fendi and me

www.altaroma.it

www.carminacampus.com

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